Untitled – 2014 Oil on Canvas My work focuses on the process of mediation that occurs in painting, in order to examine and expose the relationships between objects, actions and representations. I attempt to address the narrative potential that emerges from the compression of these relationships in individual paintings, and within particular groupings of the paintings. […]
Pipes, 100.5 x 46.5 cm. pencil, Indian ink, air brush, acrylic. www.joelwyllie.co.uk
At the heart of my work is a desire to interpret and assemble, through investigation, tracks and traces of the everyday that I confront through my work in photography, sculpture and printmaking. Taking the object as a starting point, recent works have focused on simple categorization of form and shape, recurring patterns and surface materials, […]
Visitor, 2015 Powdered-coated steel, cotton jersey, baby oil The figure is alluded to through austere sculptural frameworks. Pairing industrial processes with clothing and everyday objects, sculptures present relationships, sometimes unrequited and not necessarily romantic. Female sexuality is explored through the debris of human interactions and the sexual charge that laces our daily routines.
PETER FILLINGHAM b. Portsmouth 1964 Biography Peter Fillingham is a British sculptor and curator. He has been consistently exhibiting work in sculpture, photography and installation since 1989. He is also the former Head of Sculpture at Central St. Martins and the former Chair of Fine Arts at Parson’s Paris. He is a specialist in display, […]
My practice constitutes a study of photography and film-making with particular concern for notions of the cinematic. Attempting to define cinema and to understand the role of the theatre in screening film are integral to my work with cinema as an artistic medium, as is a consideration of the multiple temporalities involved in the structure […]
Untitled 2013 Polyester resin, metal powder, fibre glass, MDF, plaster, 55 x 45cm Tom Owen’s new works are assemblages of materials and techniques. He works with plasterboard, found imagery, mechanical and digital print and paint. Although employing broad methods the works are not about the exuberance this might imply. Rather, they seem more about reluctance. […]
As yet untitled, c-type prints, steel, 8mm film transferred to DVD, cotton, metal a-clamps, 500 x 300 x 200 cm, 2012 I am currently studying on an MA in Fine Art at The Slade School of Fine Art at UCL having completed my BA at Goldsmiths College in 2004. My research and practice is driven […]
I make objects and paintings that appropriate ancient artifacts, religious icons and modernist materiality from the expansive pool of an art history that stretches back over 30,000 years. The work centres around my affection for the distinctive swagger involved in nineteenth century personal collections such as the John Soane Museum; their suppression, superimposition or regeneration […]
During my MA in Fine Art at Chelsea, I am asking how, why and what it might mean to slow down our way of seeing, which is currently defined by multiple screens, uploads, feeds and mash-ups. How does a united painted surface survive in the current visual climate of Photoshop, fragmentation and glitch? Why might […]
